Gallery: 30 Eco-Fashion Predictions fo...

TIMO RISSANEN (DESIGNER; ASSISTANT PROFESSOR OF FASHION DESIGN AND SUSTAINABILITY, PARSONS THE NEW SCHOOL FOR DESIGN)

2013 is the year that sustainability in fashion enters the mainstream on an unprecedented scale. H&M's recycling scheme, while far from perfect, will bring issues around fashion waste to a large audience. What the scheme does not address can nonetheless be used powerfully: I hope this is the year we will begin serious conversations about over-consumption and the systemic transformation required to address it. Elizabeth Cline's book was the perfect consumer-led opening to that conversation so let's not miss the opportunity!

2012 saw two devastating garment factory fires, one in Pakistan in September and another in Bangladesh in November. Look at it another way, in these two fires 400 people lost their lives making 'cheap' garments for us, under conditions that became unacceptable in the wealthy west following the Triangle Shirtwaist Factory fire of 1911. Bangladesh has had several similar fires over recent years but it wasn't until 2012 that these fires began to appear in mainstream news outlets. We are more aware of our connectedness through our garments with such tragic events, and there is now consensus that such preventable tragedies are simply unacceptable. This also applies for the use of child slave labor in the cotton fields of Uzbekistan. Judging by the successful campaign to encourage Zara to pledge not to use Uzbek cotton, we are seeing the end of passive, apathetic fashion consumption.

Within fashion and sustainability research, in 2013 cross-institutional collaborations are taken to new heights. Local Wisdom, an international research project focusing on the craft of use of clothing led by Kate Fletcher at London College of Fashion, brings together seven universities from around the world, including Parsons The New School for Design in New York and California College of the Arts in San Francisco. The two-year collaboration will present its findings in 2014 and 2015, without doubt pointing towards deeper engagement between the fashion industry and fashion consumers.

If I can offer one piece of advice for the fashion industry for 2013, it is this: Let’s work together to shed some of the secrecy and paranoia that has for decades paralyzed any potential for shared conversations about common goals. Let’s then start those conversations.

ECO-FASHION ORACLES

1. Lucy Siegle (The Guardian, Green Carpet Challenge, To Die For: Is Fashion Wearing Out the World?)

2. Summer Rayne Oakes (Source4Style)

3. Sass Brown (Fashion Institute of Technology, Eco Fashion)

4. Li Yifung (Greenpeace)

5. Elizabeth Cline (Overdressed: The Shockingly High Cost of Cheap Fashion)

6. John Patrick (Organic)

7. Leanne Mai-Ly Hilgart (Vaute Couture)

8. Gretchen Jones

9. Tara St. James (Study NY)

10. Karen Stewart and Howard Brown (Stewart + Brown)

11. Carrie Parry

12. Meghan Sebold (Afia)

13. Timo Rissanen (Parsons The New School for Design)

14. Leah Borromeo (Dirty White Gold)

15. Owyn Ruck (Textile Arts Center)

16. Bahar Shahpar

17. Anthony Lilore (Restore Clothing, Save the Garment Center)

18. Anjelika Krishna Daftuar (A.D.O. Clothing)

19. Angelina Rennell (Lina Rennell, Beklina)

20. Abigail Doan

21. Adriana Herrara (Fashioning Change)

22. Bob Bland (Brooklyn Royalty, Manufacture NY)

23. Joshua Katcher (The Discerning Brute, Brave GentleMan)

24. Britt Howard (Portland Garment Factory)

25. Christina Dean (Redress HK)

26. Anna Griffin (Coco Eco)

27. Amy DuFault

28. Starre Vartan (Eco-Chick, The Eco Chick Guide to Life)

29. Johanna Björk (Goodlifer)

30. Emma Grady (Past Fashion Future)

One Response to “30 Eco-Fashion Predictions for 2013”

  1. Brulee says:

    I think that one of the main ethical questions should be over the lack of choice in skincare/make up brands unless one chooses to shoponline at places like Naturisimo or LoveLula where only non animal tested products are sold? In Department stores and Boots many brands especially the ‘high end’ designer ones still use the cruel and unreliable draize and force feeding methods rather than the more reliable alternatives, even ingredients linked to skin irritation and cancer are still used. This is less likely in BUAV approved non animal tested products as natural alternatives, higher quality are often preferred?

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